Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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. oldal
... novelists but rather to free both readers and novelists from the constraints of abstract rules about what novelists must do , by reminding them in a systematic way of what good novelists have in fact done . My debts to published ...
... novelists but rather to free both readers and novelists from the constraints of abstract rules about what novelists must do , by reminding them in a systematic way of what good novelists have in fact done . My debts to published ...
91. oldal
... novelist's problem in dealing with values as they relate to the reader. The problem of whether the anti-rhetorical pose of the early "modern" novelists is dying out must be left, however, for someone who can follow the contemporary ...
... novelist's problem in dealing with values as they relate to the reader. The problem of whether the anti-rhetorical pose of the early "modern" novelists is dying out must be left, however, for someone who can follow the contemporary ...
91. oldal
... novelists ( The Living Novel ) , " that all is not well with the novel today , but the problem is essentially a problem of readers , not a problem of writers " ( p . 216 ) . Yet at least two of the novelists in his volume , Ralph ...
... novelists ( The Living Novel ) , " that all is not well with the novel today , but the problem is essentially a problem of readers , not a problem of writers " ( p . 216 ) . Yet at least two of the novelists in his volume , Ralph ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York