Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 86 találatból.
50. oldal
... never led him to the notion that all signs of the author's presence are inartistic . Though he might have agreed with Ford that the reader should feel that he has been " really there , " he would never have suggested that the reader ...
... never led him to the notion that all signs of the author's presence are inartistic . Though he might have agreed with Ford that the reader should feel that he has been " really there , " he would never have suggested that the reader ...
112. oldal
... never rely on myself to recognize decency or courage when I see them , and more often than not the truth annoys me on first encounter or is dismissed as falsehood . The notion of firmly constituted natural objects inducing natural ...
... never rely on myself to recognize decency or courage when I see them , and more often than not the truth annoys me on first encounter or is dismissed as falsehood . The notion of firmly constituted natural objects inducing natural ...
245. oldal
... never formulated any theory to cover her own practice; she invented no term like James's "central intelligence" or "lucid reflector" to describe her method of viewing the world of the book primarily through Emma's own eyes. We can thus ...
... never formulated any theory to cover her own practice; she invented no term like James's "central intelligence" or "lucid reflector" to describe her method of viewing the world of the book primarily through Emma's own eyes. We can thus ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York