Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 28 találatból.
13. oldal
... lines longer than the one or two lines earlier given to the death of the husband . Her " inward commendation " of Fede- rigo's " magnanimity " leads her to the decision to marry him rather than a wealthy suitor : " I had rather have a ...
... lines longer than the one or two lines earlier given to the death of the husband . Her " inward commendation " of Fede- rigo's " magnanimity " leads her to the decision to marry him rather than a wealthy suitor : " I had rather have a ...
69. oldal
... line; he must know that dung-heaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones" (pp. 275-76). We have learned by now to ask of such statements: Is it good to be faithful to ...
... line; he must know that dung-heaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones" (pp. 275-76). We have learned by now to ask of such statements: Is it good to be faithful to ...
245. oldal
... line to line, we cannot savor to the full the comedy as it is prepared for us. On the other hand, if we fail to love her, as Jane Austen herself predicted we would3— if we fail to love her more and more as the book progresses —we can ...
... line to line, we cannot savor to the full the comedy as it is prepared for us. On the other hand, if we fail to love her, as Jane Austen herself predicted we would3— if we fail to love her more and more as the book progresses —we can ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York