Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 63 találatból.
97. oldal
... emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular emotion ; such that when the external facts ...
... emotion in the form of art is by finding an ' objective correlative ' ; in other words , a set of objects , a situation , a chain of events which shall be the formula of that particular emotion ; such that when the external facts ...
115. oldal
... emotion " -true enough , because tautological , but not particularly helpful in clearing out the rhetoric . 4 ... emotional response , it would be a combination of fear and hatred and the pleasures of revenge . The less rhetorical ...
... emotion " -true enough , because tautological , but not particularly helpful in clearing out the rhetoric . 4 ... emotional response , it would be a combination of fear and hatred and the pleasures of revenge . The less rhetorical ...
441. oldal
... Emotional attachment , as end ; see Cri- teria , reader , desired effects on ; Sym- pathy Emotional distance , 156 ; see also Distance Emotional intensity , as end , 185-86 , 377 Emotional involvement , 129-33 ; see also Sympathy Emotions ...
... Emotional attachment , as end ; see Cri- teria , reader , desired effects on ; Sym- pathy Emotional distance , 156 ; see also Distance Emotional intensity , as end , 185-86 , 377 Emotional involvement , 129-33 ; see also Sympathy Emotions ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York