Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 86 találatból.
47. oldal
... effect as pity for Maisie in What Maisie Knew becomes subordinated to other , more general effects . In the first notebook entry about this story , 38 there is no mention whatever of the girl's feelings ; the interest is all in the in ...
... effect as pity for Maisie in What Maisie Knew becomes subordinated to other , more general effects . In the first notebook entry about this story , 38 there is no mention whatever of the girl's feelings ; the interest is all in the in ...
58. oldal
... effect to be realized in the reader through the use of whatever realistic subjects , techniques , and structures can be devised . As we have seen , James is quite clear that this effect is more important than any particular means that ...
... effect to be realized in the reader through the use of whatever realistic subjects , techniques , and structures can be devised . As we have seen , James is quite clear that this effect is more important than any particular means that ...
312. oldal
... effect , were imperative . Therefore I had to rule out subjective complications of her own - play of tone , etc .; and keep her impersonal save for the most obvious and indispensa- ble little note of neatness , firmness and courage ...
... effect , were imperative . Therefore I had to rule out subjective complications of her own - play of tone , etc .; and keep her impersonal save for the most obvious and indispensa- ble little note of neatness , firmness and courage ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York