Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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245. oldal
... discussion of this problem is Reginald Farrer's "Jane Austen," Quarterly Review, CCXXVIII (July, 1917), 1-30; reprinted in William Heath's Discussions of Jane Austen (Boston, 1961). For one critic the book fails because the problem was ...
... discussion of this problem is Reginald Farrer's "Jane Austen," Quarterly Review, CCXXVIII (July, 1917), 1-30; reprinted in William Heath's Discussions of Jane Austen (Boston, 1961). For one critic the book fails because the problem was ...
245. oldal
... discussion of this problem is Reginald Farrer's “ Jane Austen , " Quarterly Review , CCXXVIII ( July , 1917 ) , 1-30 ; reprinted in William Heath's Discussions of Jane Austen ( Boston , 1961 ) . For one critic the book fails because the ...
... discussion of this problem is Reginald Farrer's “ Jane Austen , " Quarterly Review , CCXXVIII ( July , 1917 ) , 1-30 ; reprinted in William Heath's Discussions of Jane Austen ( Boston , 1961 ) . For one critic the book fails because the ...
272. oldal
... discussion of these devices . But the fact is that they have been adequately demonstrated over and over again in criticism since James . One need not show once more that sym- bols can be used to evaluate character or that manipulation ...
... discussion of these devices . But the fact is that they have been adequately demonstrated over and over again in criticism since James . One need not show once more that sym- bols can be used to evaluate character or that manipulation ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York