Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 31 találatból.
171. oldal
... described as torn to bits by an angry mob of Parisians at the time of the liberation . This factual intrusion commenting sardonically on Michaud's envy is brief , clean , effective , and entirely appropriate to the work in which it ...
... described as torn to bits by an angry mob of Parisians at the time of the liberation . This factual intrusion commenting sardonically on Michaud's envy is brief , clean , effective , and entirely appropriate to the work in which it ...
188. oldal
... described as Faust has been described as a vehement gloomy being who had quitted the ways of vulgar men without light to guide him on a better way " ( chap . xvii ) . Most great writers of fiction - and I include , of course , the au ...
... described as Faust has been described as a vehement gloomy being who had quitted the ways of vulgar men without light to guide him on a better way " ( chap . xvii ) . Most great writers of fiction - and I include , of course , the au ...
243. oldal
... described Jane Austen as an instinctive novelist whose effects , some of which are admittedly fine , can best be ex- plained as " part of her unconsciousness . " It is as if she " fell - a - mus- ing " over her work - basket , he said ...
... described Jane Austen as an instinctive novelist whose effects , some of which are admittedly fine , can best be ex- plained as " part of her unconsciousness . " It is as if she " fell - a - mus- ing " over her work - basket , he said ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York