Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 49 találatból.
39. oldal
... deal with any one of them for very long without touching on the others . Nevertheless they are , as I think the next chapters will show , clearly distinct . It may be true , as critics sometimes claim , that in a sense the work has no ...
... deal with any one of them for very long without touching on the others . Nevertheless they are , as I think the next chapters will show , clearly distinct . It may be true , as critics sometimes claim , that in a sense the work has no ...
152. oldal
... deal is unethi- cal , old family retainers expostulating with wayward scions - these often have more effect on us than on their official auditors ; the king goes ahead with his obstinate search , the husband carries out his deal , the ...
... deal is unethi- cal , old family retainers expostulating with wayward scions - these often have more effect on us than on their official auditors ; the king goes ahead with his obstinate search , the husband carries out his deal , the ...
368. oldal
... deal at fault in the incident . I wanted to embarrass myself , and , if possible , the reader too . " An interesting new twist on the artist's goal : she writes not to express herself but to embarrass herself . Since she intends to ...
... deal at fault in the incident . I wanted to embarrass myself , and , if possible , the reader too . " An interesting new twist on the artist's goal : she writes not to express herself but to embarrass herself . Since she intends to ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York