Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 29 találatból.
111. oldal
... conventional re- sponses , requiring a rhetoric to place them for the reader . And even the most permanent values receive altered conventional ex- pression from man to man , region to region , and time to time . The greatest artists do ...
... conventional re- sponses , requiring a rhetoric to place them for the reader . And even the most permanent values receive altered conventional ex- pression from man to man , region to region , and time to time . The greatest artists do ...
278. oldal
... conventional methods . But with a conventional omniscient narrator , we could only with great difficulty be made to feel personally helpless , personally in want of a champion and avenger . We accept Ida as our champion- only to find ...
... conventional methods . But with a conventional omniscient narrator , we could only with great difficulty be made to feel personally helpless , personally in want of a champion and avenger . We accept Ida as our champion- only to find ...
449. oldal
... conventional expectations , 127 of ideas , 31 , 133 as natural product , 51 Othello , 78 , 100 , 111 , 116 , 122 , 136 , 273 dramatic irony in , 305 Our Mutual Friend , 207 " Overcoat , The , " 97-98 Over - distancing , 195 ; see also ...
... conventional expectations , 127 of ideas , 31 , 133 as natural product , 51 Othello , 78 , 100 , 111 , 116 , 122 , 136 , 273 dramatic irony in , 305 Our Mutual Friend , 207 " Overcoat , The , " 97-98 Over - distancing , 195 ; see also ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York