Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 90 találatból.
155. oldal
... commentary allowed in ad- dition to a direct relating of events in scene and summary . Such commentary can , of course , range over any aspect of human ex- perience , and it can be related to the main business in innumerable ways and ...
... commentary allowed in ad- dition to a direct relating of events in scene and summary . Such commentary can , of course , range over any aspect of human ex- perience , and it can be related to the main business in innumerable ways and ...
196. oldal
... commentary of this kind on the event is likely to seem more obtrusive than commentary about the characters ; it can , in- deed , be very bad when it is used as a substitute for , rather than a heightening of , the event itself . Knowing ...
... commentary of this kind on the event is likely to seem more obtrusive than commentary about the characters ; it can , in- deed , be very bad when it is used as a substitute for , rather than a heightening of , the event itself . Knowing ...
197. oldal
... commentary are fully as obtrusive as the most direct commentary might be . One's taste changes in such matters , of course . At one time the invention of the turtle , heading southwest across the highway in The Grapes of Wrath ( 1939 ) ...
... commentary are fully as obtrusive as the most direct commentary might be . One's taste changes in such matters , of course . At one time the invention of the turtle , heading southwest across the highway in The Grapes of Wrath ( 1939 ) ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York