Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 61 találatból.
129. oldal
... chapter , each chapter using a dif- ferent central intelligence to throw a different light on the events , no reader could help being mainly interested in the point of view rather than in what the point of view revealed : " I wonder ...
... chapter , each chapter using a dif- ferent central intelligence to throw a different light on the events , no reader could help being mainly interested in the point of view rather than in what the point of view revealed : " I wonder ...
225. oldal
... Chapter . Turn to the 7th Chapter , and let me hear how it begins -- Polly reads , ' Chapter the 7th , -The Death of my Lady Fanciful's Squirrel . . . . " Miss Dimple interrupts : " Hold , Wench , you read too fast ; and I don't ...
... Chapter . Turn to the 7th Chapter , and let me hear how it begins -- Polly reads , ' Chapter the 7th , -The Death of my Lady Fanciful's Squirrel . . . . " Miss Dimple interrupts : " Hold , Wench , you read too fast ; and I don't ...
291. oldal
... chapter , " The Princesse de Guermantes Receives , " is taken up with talk about the meaning of the narrator's discovery - and the chapter is about twice as long as the whole of Camus ' The Stranger ! A rather impressive exception to ...
... chapter , " The Princesse de Guermantes Receives , " is taken up with talk about the meaning of the narrator's discovery - and the chapter is about twice as long as the whole of Camus ' The Stranger ! A rather impressive exception to ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York