Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 44 találatból.
190. oldal
... called " final . " " " 21 The two versions now in print do not seem to differ radically ( though there are earlier manuscript versions that are almost unrec- ognizable ) . In the first edition , we are initially confined to the point of ...
... called " final . " " " 21 The two versions now in print do not seem to differ radically ( though there are earlier manuscript versions that are almost unrec- ognizable ) . In the first edition , we are initially confined to the point of ...
371. oldal
... called for , the better . " When Edmund Wilson overinterprets James or Henry Miller , when he admits that he could not have " divined , " without extraneous assistance , the " complicated scheme " of " Ho- meric parallels in Joyce's ...
... called for , the better . " When Edmund Wilson overinterprets James or Henry Miller , when he admits that he could not have " divined , " without extraneous assistance , the " complicated scheme " of " Ho- meric parallels in Joyce's ...
420. oldal
... called . complete as a moral act ? ' " ( pp . 138-39 ) . 265. COLERIDGE , SAMUEL TAYLOR . " Greek Drama , " in No. 97 , pp . 13–19 . 266. COLLINGWOOD , R. G. The Principles of Art . New York , 1958. First published , 1938 . 267. CROCE ...
... called . complete as a moral act ? ' " ( pp . 138-39 ) . 265. COLERIDGE , SAMUEL TAYLOR . " Greek Drama , " in No. 97 , pp . 13–19 . 266. COLLINGWOOD , R. G. The Principles of Art . New York , 1958. First published , 1938 . 267. CROCE ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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