Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 27 találatból.
75. oldal
... believe that they write " passages of virtuous aspirations that were in no way any aspirations of theirs . " Presumably he is relying on external evi- dences of Fielding's lack of virtuous aspirations . But we have only the work as ...
... believe that they write " passages of virtuous aspirations that were in no way any aspirations of theirs . " Presumably he is relying on external evi- dences of Fielding's lack of virtuous aspirations . But we have only the work as ...
126. oldal
... believe that certain causes do in life produce certain effects ; in lit- erature we believe that they should . Consequently , we ordinary readers will go to great lengths , once we have been caught up by an author who knows how to make ...
... believe that certain causes do in life produce certain effects ; in lit- erature we believe that they should . Consequently , we ordinary readers will go to great lengths , once we have been caught up by an author who knows how to make ...
129. oldal
... believe that the reader's interest in technique was an adequate substitute for other interests , rather than at best a useful adjunct and at worst a harmful distraction . And some novels were written which encouraged this interest ...
... believe that the reader's interest in technique was an adequate substitute for other interests , rather than at best a useful adjunct and at worst a harmful distraction . And some novels were written which encouraged this interest ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York