Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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137. oldal
... beliefs . " Most contemporary students of literature would agree that a writer's ideas have as little to do with his artistic talent as his personal morals . . . . Not many people would agree ... Beliefs and the Reader 137 The Role of Belief.
... beliefs . " Most contemporary students of literature would agree that a writer's ideas have as little to do with his artistic talent as his personal morals . . . . Not many people would agree ... Beliefs and the Reader 137 The Role of Belief.
138. oldal
... beliefs must coincide with the author's . Regardless of my real beliefs and practices , I must subordinate my mind and heart to the book if I am to enjoy it to the full . The author creates , in short , an image of himself and another ...
... beliefs must coincide with the author's . Regardless of my real beliefs and practices , I must subordinate my mind and heart to the book if I am to enjoy it to the full . The author creates , in short , an image of himself and another ...
139. oldal
... beliefs is irrelevant to my judgment of Lawrence . We cannot fully enjoy James's Ambassadors , for another exam- ple ... beliefs which we were temporarily manipu- lated into accepting cannot be defended in the light of day . It is true ...
... beliefs is irrelevant to my judgment of Lawrence . We cannot fully enjoy James's Ambassadors , for another exam- ple ... beliefs which we were temporarily manipu- lated into accepting cannot be defended in the light of day . It is true ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York