Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 19 találatból.
12. oldal
... beauty and elegance require for validation no more than Federigo's dramatized passion . Our belief in her virtue , however - certainly in Boccaccio a more unlikely gift than beauty and elegance - is sup- ported both by her sustained ...
... beauty and elegance require for validation no more than Federigo's dramatized passion . Our belief in her virtue , however - certainly in Boccaccio a more unlikely gift than beauty and elegance - is sup- ported both by her sustained ...
350. oldal
... Beauty , that Beauty which is Truth . " And though the authors think that he deserves his pun- ishment at the end , he deserves it because he " has committed an offence against society [ by insisting on the truth ] . . . . His stripping ...
... Beauty , that Beauty which is Truth . " And though the authors think that he deserves his pun- ishment at the end , he deserves it because he " has committed an offence against society [ by insisting on the truth ] . . . . His stripping ...
360. oldal
... beauty , for a devotion ; and what else was I doing ? That element was in everything that Jeffrey Aspern had written , and I was only bringing it to light . There can be little doubt that James has deliberately planted clues here to ...
... beauty , for a devotion ; and what else was I doing ? That element was in everything that Jeffrey Aspern had written , and I was only bringing it to light . There can be little doubt that James has deliberately planted clues here to ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York