Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 88 találatból.
69. oldal
... artist should be, not the judge of his characters and their conversations, but only an unbiassed witness. I once ... artist, to be either liberal or conservative. Flaubert, writing in 1853, claims that even the artist who recognizes ...
... artist should be, not the judge of his characters and their conversations, but only an unbiassed witness. I once ... artist, to be either liberal or conservative. Flaubert, writing in 1853, claims that even the artist who recognizes ...
70. oldal
... artist should be totally engagé , its validity de- pends on the kind of novel the author is writing . Some great artists have been committed to the causes of their times , and some have not . Some works seem to be harmed by their burden ...
... artist should be totally engagé , its validity de- pends on the kind of novel the author is writing . Some great artists have been committed to the causes of their times , and some have not . Some works seem to be harmed by their burden ...
350. oldal
... artist . She represents for Lyon , as artist , that Truth which is Beauty , that Beauty which is Truth . " And though the authors think that he deserves his pun- ishment at the end , he deserves it because he " has committed an offence ...
... artist . She represents for Lyon , as artist , that Truth which is Beauty , that Beauty which is Truth . " And though the authors think that he deserves his pun- ishment at the end , he deserves it because he " has committed an offence ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York