Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 42 találatból.
121. oldal
... aesthetic matters like plot and emotional involvement have been based on the modern redis- covery of " aesthetic distance . " After an unrestrained binge of romantic emotionalism and literal naturalism , authors began to dis- cover , as ...
... aesthetic matters like plot and emotional involvement have been based on the modern redis- covery of " aesthetic distance . " After an unrestrained binge of romantic emotionalism and literal naturalism , authors began to dis- cover , as ...
330. oldal
aesthetic neutrality . We may judge falsely , we may judge uncon- sciously , but we cannot even bring the book to ... aesthetics , and his villanelle were ir- relevant , we would hardly dispute with each other about them . Yet I count in ...
aesthetic neutrality . We may judge falsely , we may judge uncon- sciously , but we cannot even bring the book to ... aesthetics , and his villanelle were ir- relevant , we would hardly dispute with each other about them . Yet I count in ...
420. oldal
... Aesthetic Surface in the Novel , " The Trollopian , II ( September , 1947 ) , 91–106 . The " aesthetic surface " of fiction is found , not in words , but in the " world " of character , event , and value " concretely rep- resented and ...
... Aesthetic Surface in the Novel , " The Trollopian , II ( September , 1947 ) , 91–106 . The " aesthetic surface " of fiction is found , not in words , but in the " world " of character , event , and value " concretely rep- resented and ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York