Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 30 találatból.
225. oldal
... Miss Pert " and " grayhair'd Mrs. Sit - her - time " and " Dick Dapper- wit " are constantly intruding in a " passion " to complain about the story or the characters ' behavior . The most curious instance of this independent drama of ...
... Miss Pert " and " grayhair'd Mrs. Sit - her - time " and " Dick Dapper- wit " are constantly intruding in a " passion " to complain about the story or the characters ' behavior . The most curious instance of this independent drama of ...
263. oldal
... Miss Bates's ex- emplification of this fault and of this virtue entitle her to the re- spect which Emma denies . If I do not - while yet being able to laugh at Miss Bates - I can hardly understand , let alone enjoy , Emma's mistreatment ...
... Miss Bates's ex- emplification of this fault and of this virtue entitle her to the re- spect which Emma denies . If I do not - while yet being able to laugh at Miss Bates - I can hardly understand , let alone enjoy , Emma's mistreatment ...
368. oldal
... Miss McCarthy's own stories , where the ironies are piled thick and deep . It is hard to think of many important modern works they could come from , as they approach Miss McCarthy's story , without being led into difficulty . And even ...
... Miss McCarthy's own stories , where the ironies are piled thick and deep . It is hard to think of many important modern works they could come from , as they approach Miss McCarthy's story , without being led into difficulty . And even ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York