Developing Zeami: The Noh Actor's Attunement in PracticeUniversity of Hawaii Press, 2005. júl. 31. - 496 oldal The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn’s impressive interpretive examination of Zeami’s treatises addresses all of these areas as it outlines the development of the playwright’s ideas on how best to cultivate attunement between performer and audience. |
Tartalomjegyzék
Introduction | 1 |
Abbreviations | 23 |
Developing Zeamis Representational Style | 43 |
From Ends to Means | 83 |
Composing the Text | 115 |
An Analysis of | 147 |
Actor and Audience | 201 |
The Two Modes in Training | 239 |
Coda | 285 |
An Annotated Translation of Sandō | 300 |
Notes | 321 |
Character Glossary | 417 |
435 | |
465 | |
Más kiadások - Összes megtekintése
Developing Zeami: The Noh Actor's Attunement In Practice Shelley Fenno Quinn Korlátozott előnézet - 2005 |