she here? They had found the door fast locked, entrancing joy! the little one is found in an ob- As they waited the arrival of the keys, there came a sudden shower, a rush of snow-flakes around the church, beating at the door and windows, as if for admittance, and dipping and driving round the tower, and swooping at the old belfry, as if half in anger, and lodging in the deep ivy, and spreading white table cloths on the flat tomb-stones, and sporting and curvetting round the ancient yews, like bright matulenhood making mirth of age, and gradually filling up and effacing all foot-prints on the church path, so that an hour's more delay, and in vain the faithful and true snow-flakes had kept their indented record of the little one's wandering feet. Here comes Bruton, the sexton, an ancient survitor, puffing like a grampus; very frosty in As they arose from their knees, the child the fingers, like "Hob the shepherd;" his "old waked up, too; and when she saw them she feet stumbling amidst graves," like Friar John;" smiled, but betrayed no further emotion. Her the keys of the church, like the picture of St. mother then eagerly questioned her why she had Peter, in his right hand; while in his left he left the garden, where she had been playing, and brandishes a lantern, like Guy Faux in the gun-wandered so far alone? But she merely glanced powder vaults, or Diogenes at Corinth in search of an honest man. He had been in the church all the morning "regulating " it-had left the door open when he went to his dinner, but on seeing the first short snow shower begin to fall, had sent his boy to lock it. Here is hope enlarging almost to certainty. The child is in the church, no doubt, and eagerly they press into the porch, as the old man casts the heavy door back on its grating hinges. They hurry up the aisle, they call the lost one, they run here and there, they pause and listen, but "there was neither voice, nor sound, nor any that regarded," save the dull rustling of the snow-flakes at the window, tapping and crowding up the panes, and looking in to see the Enfant Trouvée, but alas! it was not so. No child was to be found-not in the aisle, nor chancel, nor vestry, nor desk, nor among the seats is she to be seen. And where is she? Is this hope to be crushed out too, oh, God! and the fierce night gathering wild and black, and the snow flakes falling by thousands, and a sudden raging storm gust, shaking the old church, and whistling through its gray tower, and sobbing and moaning amidst the blackened rafters and girders which span its roof. She down at what her hand contained, and said, "I came to get my flowers." It was a strange sight how, amidst all that weeping, rejoicing, happy, excited party, the child alone was calm, and grave, and unperturbed. She could give no account of why she had done this thing. seemed not to understand the agony her absence had produced; nor did her mind at all go into the consequences of her flight. She appeared to have but, the one simple idea, and the one simple, grave, and childlike answer to a hundred questions-"I came to get my flowers." And now the storm-gust had drifted off to the southward; and, careering in her silver car, the white winter moon rode brightly up the deep purple dome of sky; a hundred light clouds fly over her face, but in a moment they are gone, and she pursues her course with unimpaired brilliancy. The party leave the church, and their feet are crunching in the soft snow, as they retrack their homeward path. The child is in her father's bosom, looking up at the flying moon with curious eye, her hand still clutching the bunch of holly and ivy. And on every branch of ferny yew, or fan-like fir, or drooping, denuded larch, or red-leaved beech, or rugged thorn, or expanded elm, or regal oak, or queenly ash; on the smooth ice-plate of the cattle-pond; on the tall, black wheel of the old mill amidst a thousand congelations, and crowning the ancient paralytic poplar with a white coronet and bright fringes on its lank arms till it looked quite gay and bymeneal; and on the top of all the meadow ditches, and on the broad flags of the stile, and on the piers of the gate, and on every shrub in Hark! a shout from a distant corner, and oh! the lawn, lay the bright SNOW-FLAKES in myri Oh, what a world of anguish, compressed into those few minutes of torturing suspense; and oh, what a volume of intense prayer went up from suffering hearts to the Father of Mercies in that house where prayer was wont to be made, and His presence, who answers in the day of distress promised; and as the daylight dies away, the old sexton lights his lantern. ads, reposing softly in the frosty moonlight, to to listen to her answer, still calm, and earnest, watch the return of the happy family, with the and grave, to the oft-repeated inquiry-"I came child nestled warmly in her father's bosom, and to get my flowers." From the National Era. FLOWERS IN WINTER, PAINTED UPON A PORTE LIVRE. By J. G. Whittier. How strange to greet, this frosty morn, In graceful conterfeit of flowers, These children of the meadows born Of sunshine and of bowers! For well the conscious wood retains The pictures of its flower-sown home The lights and shades, the purple stains And golden hues of bloom. It was a happy thought to bring To the dark season's frost and rime This painted memory of spring, This dream of summer time. Our hearts are lighter for its sake, A wizard of the Merrimac (So old ancestral legends say) Could call green leaf and blossom back To frosted stem and spray. The dry logs of the cottage wall Beneath his touch put out their leaves; The clay-bound swallow, at his call, Played round the icy eaves. The settler saw his oaken flail Take bud and bloom before his eyes; From frozen pools he saw the pale, Sweet summer lillies rise. To their old homes, by man profaned, The beechen platter sprouted wild, The pipkin wore its old-time green; The cradle o'er the sleeping child Became a leafy screen. Haply our gentle friend hath met, While wandering in her sylvan quest, Haunting his native woodlands yet, That Druid of the West And while the dew on leaf and flower Glistened in moonlight clear and still, Learned the dusk wizard's spell of power, And caught his trick of skill. But welcome, be it new or old, The one, with bridal blush of rose, Fill soft and deep, O winter snow O'erlay the amber violet's leaves, The purple aster's brook-side home, And she, when spring comes round again, DWARFS.-Towards the end of the seventeenth century many slaves were exported by the English from their Indian factory. St. Helena was among the Company's possessions, and they de sired to people it. Accordingly, a cargo of natives was despatched; but, at first, only men were taken. "They will not live without wives," wrote the Honorable Company, and directed its agents to "send near as many female slaves as male." This we notice for the sake of introducing a little picture of Charles the Second. The following is the postscript of a despatch from the Court of Directors to the factors at Surat: "His Majesty hath required of us to send to India to provide for him there one male and two female blacks, but they must be dwarfs of the least size that you can procure, the male to be about seventeen years of age and the females about fourteen. We would have you, next to their littleness, to chuse such as may have the best features, and to send them home upon any of our ships, giving the commander great charge to take care of their accommodation, and in particular of the females, that they be in no way abused in the voyage by any of the seamen; for their provision and clothes you must take care to lay it in, and let them be set out with such ear and nose rings, and shackles for ornaments about their legs (of false stones, and brass, but not with gold) as is usual to wear in the country, but let them not be used by them in the voyage, but sent to us apart." Eng. in West. Ind. HIRAM POWERS. a fillet of shells and pearls, the usual Indian coiffure; whilst her hair, which falls down beA Correspondent of the Athenæum writing hind in braids, is caught up by a porcupine from Florence, gives us some notes on the fastening. In the figure as well as in the face studio of Mr. Hiram Powers.-Perhaps it is the true Indian character is preserved; it is not generally known that, unlike all his lithe and agile. "She can run you, sir," said brethren in the profession, he never models Mr. Powers," and that right swiftly. Penin clay, which he says shrinks or swells at seroso,'" pointing to another statue in the times: instead of which, he at once prepares course of execution, "could not." A half his conceptions in plaster. The advantages figue of 'Proserpine'is, I think, one of the are, that he gives fixity and permanency to most charming specimens of ideal beauty I his idea, and can take to pieces the individual ever saw. The expression of the face is only parts for more accurate study and examination. too lovable; and looking on it, I can readily The great difficulty to be surmounted was the understand the possibility of conceiving a impossibility of getting a highly finished and passion for statuary. She has a wreath of smooth surface with the instruments already corn in bloom around her head; and around known to the profession. He has, therefore, her waist is an acanthus wreath, emblematic invented a machine for making open files, and of Pluto and the infernal regions, whence she has taken out a patent for it in America. is rising to spend six months on earth. It is The open file, which he showed me, is appli- remarkable that for this piece of sculpture Mr. cable also to copper and lead, and by means Powers had no model;" and when I have of this he manages to give to his cast the most one," said he, "I never detain it more than polished surface. Whilst no one in modern twenty minutes,-observe it, and take hints; times has adopted this mode of working, John to keep it longer confuses me. I fear to be a of Bologna was the only one in the past who copyist." This statue is a commission for Mr. ever made plaster a substitute for clay, and King, whose bust, close by, is doubtless like that only in a very rough manner. Mr. Pow- him, and is well executed. Several repetitions ers, on the contrary, and by means of his of the Greek Slave' and of " Proserpine," as open file, renders his cast as perfect as it can yet unfinished, were placed about the studio be rendered. The first work which he show-which was surrounded by casts of all the great ed me, still in an unfinished state, is " America," American statesmen. One of the most beautia colossal statue. She is represented by a ful works that Mr. Powers has now in hand is female figure, the expression of whose face is beautiful and dignified. Thirteen stars form the coronet on her brow. Her right hand rests on the fasces, which are covered with laurels, indicative of the triumph which always waits upon union. The left hand points to Heaven, expressive of dependance on it, or as an American gentleman present said, of a desire to follow the will of Providence in any further annexations she may be called upon to make. The left foot is to be trampling on chains, but the Negroes who wore them in "the land of freedom are not, I fear, to be represented. The drapery, which hangs easily and gracefully on the figure, is supported by a band over the left shoulder. This statue has The face is raised to Heaven, her— not been ordered. The same may be said of his "California," on which he is slowly at work, and which promises to realize the conception of the sculptor. It is altogether of a different character from the last. "California" is represented by an Indian woman, and her face bespeaks all the cunning of her race.Sly and cat-like, she is tempting the colonist on by her own personal charms, and by a quantity of quartz at her feet, to which she impossible to be carried out in sculpture. points with a divining-rod in her left hand. Whilst, therefore, the train is permitted to Her right hand, grasping thorns, she conceals fall even to the ground, it is then gathered up behind her back, as if unwilling to let the unwary gold-searcher know the sufferings which await him. Round her head she wears his "Penseroso," on which he seems to labor con amore. The subject is taken from Milton, whose idea he has endeavored, and successfully to embody. There is a silent dignity in the expression, which becomes the Goddess sage and holy, ......Divinest Melancholy;— whilst there is a concealed grief, which well Pensive muse, devout and pure, Looks commercing with the skies. With the drapery he had some difficulties to encounter, as Milton represents her All in a robe of darkest grain, and held in front by one hand. The robe is fastened round the waist, whilst over the upper part of the body is thrown a mantle And sable stole of cypress lawn, Over thy decent shoulders drawn. Thus, whilst the spirit of the poet has been infused into the marble, no less attention has From the Quebec Mercury. What a lovely night! the round red moon Or diamonds imbedded in topaz sockets; So, let's away 'Tis no night for sleep- Oh! here's a health to the lucky man say; Our breath is gone, like his who was tied They may talk of a sly flirtation, They may praise the polka's round, To music's melting sound, As up and down they whirl- For though we may lack the chandelier, been paid to the details. This beautiful piece of sculpture, colossal in size, is a commission for Mr. Lennox, of New York. So if dull care should come in your way, From the Christian Inquirer. BY J. C. HAGEN. THE gorgeous tints are slowly dying, Have lulled the breathing world to rest; Whilst every sound that evening knows, Tells but of quiet and repose. How much within its circling bower It sleeps upon the tranquil bay! Even yonder castle, frowning grimly Alas! how sad that the ideal, Teeming with pictures ever bright, Should bear no semblance to the real, Which bursts at length upon the sight! That near approach should ever mar What seemed so lovely when afar! That cottage, which might well be chosen And could we of yon distant city Tread every dark and narrow street, How much to censure, much to pity, How much of misery should we meet! Dispelling all the loveliness It seemed at distance to possess. And yet the outward world deceives not; How often, as I've gazed at even On smiling earth and glowing skies, Could erring man be taught alone, From the Illustrated London Magazine. SCOTTISH LEGAL LYRIC. THE ANNUITY. AIR--"Duncan Davidson." I GAED' to spend a week in Fife- Her grief brak out sae fierce and fell, I thought her heart wad burst the shell; And, I was sae left to mysel', I sell'ts her an annuity. The bargain lookit fair eneugh She just was turned o' saxty-three I could na guess'd she'd prove sae teugh, By human ingenuity. But years have come, and years have gane, An' there she's yet as stieve 's a staneThe limmer's growin' young again, Since she's got her annuity. She's crined awa' to bane an' skin, The last stage o' tenuity. She munches wi' her wizened" gums, She jokes her joke, an' cracks her crack, She hurkles by her ingle-side," An' toasts an' tans her wrunkled hide- I read the tables drawn wi' care Her chance o' life was stated there I gat the loon that drew the deed- May pass for her annuity. Last Yule" she had a fearfu' hoast,'s I led her out, 'mang snaw and frost, But Deil-ma-care, the blast gaed by, I thought that grief might gar1? her quit1- But aff her wits behuved to flit, An' leave her in fatuity! She threeps,19 an' threeps, he's living yet, But catch the doited20 runt21 forget |