The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 28 találatból.
xxi. oldal
Creating the Magic of Theatre William Packard. don't go around telling people to " stop being so medical , " or ... tell them it's okay to give it a go , but secretly we hope they'll outgrow all this silliness and eventually opt for ...
Creating the Magic of Theatre William Packard. don't go around telling people to " stop being so medical , " or ... tell them it's okay to give it a go , but secretly we hope they'll outgrow all this silliness and eventually opt for ...
3. oldal
... telling of a story that has a beginning and a middle and an end , and there is usually a narrator who leads the reader step ... TELL US - SHOW US . Now for some reason this is a very difficult point to get across to most people , perhaps ...
... telling of a story that has a beginning and a middle and an end , and there is usually a narrator who leads the reader step ... TELL US - SHOW US . Now for some reason this is a very difficult point to get across to most people , perhaps ...
69. oldal
... tell them something we forgot to tell them before . So we are not really " talking to ourselves " at all , nor are we carrying on a " monologue . " It is really an imaginary dialogue with a sharp focus on the person who isn't there ...
... tell them something we forgot to tell them before . So we are not really " talking to ourselves " at all , nor are we carrying on a " monologue . " It is really an imaginary dialogue with a sharp focus on the person who isn't there ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote