The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 26 találatból.
52. oldal
... sometimes be overwhelmingly powerful and moving . Even in low farce , an audi- ence has to believe that the greatest simpleton cares very much about what he says he wants , otherwise the whole thing becomes silly and a waste of our time ...
... sometimes be overwhelmingly powerful and moving . Even in low farce , an audi- ence has to believe that the greatest simpleton cares very much about what he says he wants , otherwise the whole thing becomes silly and a waste of our time ...
82. oldal
... sometimes reveal the different transitional phases of playwriting . Sometimes a playwright will choose what looks like a throw - away title for his work , such as Shakespeare's As You Like It ; sometimes playwrights will go through ...
... sometimes reveal the different transitional phases of playwriting . Sometimes a playwright will choose what looks like a throw - away title for his work , such as Shakespeare's As You Like It ; sometimes playwrights will go through ...
89. oldal
... sometimes occasioning a reversal or a discovery action . In other words , the climax can sometimes be a turning point for the whole play . For example , in Hamlet , the play within the play scene re - enacts the killing of Hamlet's ...
... sometimes occasioning a reversal or a discovery action . In other words , the climax can sometimes be a turning point for the whole play . For example , in Hamlet , the play within the play scene re - enacts the killing of Hamlet's ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote