The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 30 találatból.
6. oldal
... sense the underlying basic problem of what is so damnably difficult about trying to translate narrative into dramatic form . What is this underlying basic problem ? Why is it virtually impossible to adapt a great narrative work into ...
... sense the underlying basic problem of what is so damnably difficult about trying to translate narrative into dramatic form . What is this underlying basic problem ? Why is it virtually impossible to adapt a great narrative work into ...
111. oldal
... sense of absurdity and abandonment . Albert Camus , writing in The Myth of Sisyphus , said man was experiencing " the unspeakable penalty in which the whole being is exerted towards accomplishing nothing . " And Eugene Ionesco wrote ...
... sense of absurdity and abandonment . Albert Camus , writing in The Myth of Sisyphus , said man was experiencing " the unspeakable penalty in which the whole being is exerted towards accomplishing nothing . " And Eugene Ionesco wrote ...
165. oldal
... sense of time and loss , yet surprising in its sense of release and restoration . Ikkaku Sennin is a holy hermit unicorn who has captured the dragon gods who cause rain , and he has kept them hidden away so there is a terrible drought ...
... sense of time and loss , yet surprising in its sense of release and restoration . Ikkaku Sennin is a holy hermit unicorn who has captured the dragon gods who cause rain , and he has kept them hidden away so there is a terrible drought ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote