The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 19 találatból.
2. oldal
... probably so from a narrative point of view , because the first version is literary and descriptive and would probably read better on the page . But the second version is really the more appropriate dramatic treatment of the situation ...
... probably so from a narrative point of view , because the first version is literary and descriptive and would probably read better on the page . But the second version is really the more appropriate dramatic treatment of the situation ...
3. oldal
... probably went to schools where they had to read a lot of narrative novels , short stories , histories , and biographies — and then they probably had to write a lot of narrative term paper reports about all these narrative works . And ...
... probably went to schools where they had to read a lot of narrative novels , short stories , histories , and biographies — and then they probably had to write a lot of narrative term paper reports about all these narrative works . And ...
58. oldal
... probably hidden away deep in his own unconscious ; then he has to allow this impulse to express itself to the playwright as a conscious dramatic action . This process is probably the single most difficult and frustrating and block ...
... probably hidden away deep in his own unconscious ; then he has to allow this impulse to express itself to the playwright as a conscious dramatic action . This process is probably the single most difficult and frustrating and block ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote