The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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145. oldal
... playwright has . Many playwrights , because of their lack of experience in the professional theatre , may find themselves facing a production that has already been pre - cast without their knowledge or approval , and when that happens ...
... playwright has . Many playwrights , because of their lack of experience in the professional theatre , may find themselves facing a production that has already been pre - cast without their knowledge or approval , and when that happens ...
147. oldal
... playwrights , because they sense a deep rivalry as to who really owns the rights to the subtextual interpretation of the play - the director or the playwright . Part of the reason for this is historical . " Directors " did not become a ...
... playwrights , because they sense a deep rivalry as to who really owns the rights to the subtextual interpretation of the play - the director or the playwright . Part of the reason for this is historical . " Directors " did not become a ...
149. oldal
... playwright intended . Second , the playwright must be aware that every scenic designer has to operate within certain realistic budget considerations . It's easy enough for a playwright to set a scene on the planet Venus , or in an ...
... playwright intended . Second , the playwright must be aware that every scenic designer has to operate within certain realistic budget considerations . It's easy enough for a playwright to set a scene on the planet Venus , or in an ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote