The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 41 találatból.
22. oldal
... onstage visuals , such as there had been in the Greek theatre . And this was not true theatre , where the stage is a visual area which is there to be seen , and plays convey their major actions through the onstage visuals . Another way ...
... onstage visuals , such as there had been in the Greek theatre . And this was not true theatre , where the stage is a visual area which is there to be seen , and plays convey their major actions through the onstage visuals . Another way ...
24. oldal
... visual is a dramatic metaphor that is the immediate representation of what the onstage characters are all about . The clubfoot of Oedipus that causes him to hobble around onstage- Hamlet's " inky cloak " of mourning black — Laura's ...
... visual is a dramatic metaphor that is the immediate representation of what the onstage characters are all about . The clubfoot of Oedipus that causes him to hobble around onstage- Hamlet's " inky cloak " of mourning black — Laura's ...
29. oldal
... onstage and throws himself down full length onstage before the seated figure of the dead Emily . We could go on and list other outstanding visuals in other plays , but the basic point is ... visuals to show THE STAGE IS A VISUAL AREA • 29.
... onstage and throws himself down full length onstage before the seated figure of the dead Emily . We could go on and list other outstanding visuals in other plays , but the basic point is ... visuals to show THE STAGE IS A VISUAL AREA • 29.
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote