The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 21 találatból.
12. oldal
... matter , or to bridge the unities of time and place and action in some extraordinary and experimental way . 4. Narrative writing almost always tells us about something that has already happened in the past tense , whereas dramatic ...
... matter , or to bridge the unities of time and place and action in some extraordinary and experimental way . 4. Narrative writing almost always tells us about something that has already happened in the past tense , whereas dramatic ...
66. oldal
... matter how clever or impressive that talk may be . When dialogue is at its most rapid back and forth exchange , it ... matters ? OPHELIA : HAMLET : OPHELIA : HAMLET : I think 66 • THE ART OF THE PLAYWRIGHT.
... matter how clever or impressive that talk may be . When dialogue is at its most rapid back and forth exchange , it ... matters ? OPHELIA : HAMLET : OPHELIA : HAMLET : I think 66 • THE ART OF THE PLAYWRIGHT.
151. oldal
... matter , and it may just be light - years away from what the playwright intended . No matter how frustrating or debilitating the experience of working with a producer may be , it's important always for the playwright to remember that ...
... matter , and it may just be light - years away from what the playwright intended . No matter how frustrating or debilitating the experience of working with a producer may be , it's important always for the playwright to remember that ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote