The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 42 találatból.
9. oldal
... lines of a great dramatic play . The first thing we'll notice is that there is no leisurely and reflective narrator whose gentle and reassuring voice is there to lead us into the background atmosphere and setting and story line of the ...
... lines of a great dramatic play . The first thing we'll notice is that there is no leisurely and reflective narrator whose gentle and reassuring voice is there to lead us into the background atmosphere and setting and story line of the ...
10. oldal
... lines ! We can go further , and try to imagine what the onstage visuals will look like in this brief opening scene . The two guards are in full armor and they have weapons which they will aim at each other in the first few lines , then ...
... lines ! We can go further , and try to imagine what the onstage visuals will look like in this brief opening scene . The two guards are in full armor and they have weapons which they will aim at each other in the first few lines , then ...
67. oldal
... lines to another person , as in the following speech from The Entertainer by John Osborne . Phoebe's sudden rhythmic ... line dialogue and extended line dialogue , there can be very effective use of more sophisticated types of dialogue ...
... lines to another person , as in the following speech from The Entertainer by John Osborne . Phoebe's sudden rhythmic ... line dialogue and extended line dialogue , there can be very effective use of more sophisticated types of dialogue ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote