The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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54. oldal
... lighting his cigarette : we would fear for our own safety as well . But suppose we are told the person has just gotten out of bed having made love to someone he cares about very much , then his lighting the cigarette becomes a happy and ...
... lighting his cigarette : we would fear for our own safety as well . But suppose we are told the person has just gotten out of bed having made love to someone he cares about very much , then his lighting the cigarette becomes a happy and ...
98. oldal
... lighting for a play - we'll deal with all that in a later chapter , but we can say right here that the playwright shouldn't spend too much of his time worrying about such things . There are artisans of the theatre who know the craft of ...
... lighting for a play - we'll deal with all that in a later chapter , but we can say right here that the playwright shouldn't spend too much of his time worrying about such things . There are artisans of the theatre who know the craft of ...
149. oldal
... LIGHTING DESIGNER The lighting designer creates the appropriate color , mood , and illumination for a play . As such , he will be particularly concerned with the onstage circumstances of each individual scene - what time of day it is ...
... LIGHTING DESIGNER The lighting designer creates the appropriate color , mood , and illumination for a play . As such , he will be particularly concerned with the onstage circumstances of each individual scene - what time of day it is ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote