The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
Részletek a könyvből
1 - 3 találat összesen 18 találatból.
76. oldal
... exposition really is . Exposition - the word comes from its roots " ex " and " posit , " and it means literally " out of the place . " In other words , where something is coming from . Exposition should provide necessary background ...
... exposition really is . Exposition - the word comes from its roots " ex " and " posit , " and it means literally " out of the place . " In other words , where something is coming from . Exposition should provide necessary background ...
77. oldal
... exposition at the very beginning of the play , as Thornton Wilder did mockingly in The Skin Of Our Teeth , an audience will resent it as superfluous information . Because at the beginning of a play , an audience wants to get into the ...
... exposition at the very beginning of the play , as Thornton Wilder did mockingly in The Skin Of Our Teeth , an audience will resent it as superfluous information . Because at the beginning of a play , an audience wants to get into the ...
81. oldal
... exposition in as bald a form as possible , as it is shown above . That way , we would be free to concentrate on the expressive actions that were taking place onstage , and not worry overmuch about specific circumstances of time and ...
... exposition in as bald a form as possible , as it is shown above . That way , we would be free to concentrate on the expressive actions that were taking place onstage , and not worry overmuch about specific circumstances of time and ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote