The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 17 találatból.
106. oldal
... effect , where an actor seems to be standing outside his part and comment- ing on it , ironically and even didactically . This approach is especially effective in Brecht's own plays , such as Mother Courage and The Private Life of the ...
... effect , where an actor seems to be standing outside his part and comment- ing on it , ironically and even didactically . This approach is especially effective in Brecht's own plays , such as Mother Courage and The Private Life of the ...
149. oldal
... effects that may be required for the background sound systems of a play . 4. THE LIGHTING DESIGNER The lighting designer creates the appropriate color , mood , and illumination for a play . As such , he will be particularly concerned ...
... effects that may be required for the background sound systems of a play . 4. THE LIGHTING DESIGNER The lighting designer creates the appropriate color , mood , and illumination for a play . As such , he will be particularly concerned ...
191. oldal
... effect , 106 All's Well That Ends Well ( Shakespeare ) , 28 American Buffalo ( Mamet ) , 122 American Place Theatre , the , 106 An Actor Prepares ( Stanislavsky ) , xv Anderson , Maxwell , 18 , 175 Anderson , Robert , 17 Anouilh , Jean ...
... effect , 106 All's Well That Ends Well ( Shakespeare ) , 28 American Buffalo ( Mamet ) , 122 American Place Theatre , the , 106 An Actor Prepares ( Stanislavsky ) , xv Anderson , Maxwell , 18 , 175 Anderson , Robert , 17 Anouilh , Jean ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote