The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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18. oldal
Creating the Magic of Theatre William Packard. poetry takes precedence over dramatic actions , visuals , and stakes ... action , and that's why almost all the memorable speeches in the plays of Shakespeare are always the result of some ...
Creating the Magic of Theatre William Packard. poetry takes precedence over dramatic actions , visuals , and stakes ... action , and that's why almost all the memorable speeches in the plays of Shakespeare are always the result of some ...
32. oldal
Creating the Magic of Theatre William Packard. one's action is one's objective , it is what one wants , it is what ... dramatic actions . One is better off getting up onstage and performing a part oneself , so then one can feel it in ...
Creating the Magic of Theatre William Packard. one's action is one's objective , it is what one wants , it is what ... dramatic actions . One is better off getting up onstage and performing a part oneself , so then one can feel it in ...
33. oldal
... dramatic writing . This may surprise some Shakespearean scholars , but dramatic actions are much more important than language , no matter how brilliant or extraordinary that language may be . In fact , the dramatic ... DRAMA IS ACTION · 33.
... dramatic writing . This may surprise some Shakespearean scholars , but dramatic actions are much more important than language , no matter how brilliant or extraordinary that language may be . In fact , the dramatic ... DRAMA IS ACTION · 33.
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote