The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
Részletek a könyvből
1 - 3 találat összesen 27 találatból.
3. oldal
... beginning and a middle and an end , and there is usually a narrator who leads the reader step by step through the story line . And the narrative will invariably include a good deal of background material and specific detail description ...
... beginning and a middle and an end , and there is usually a narrator who leads the reader step by step through the story line . And the narrative will invariably include a good deal of background material and specific detail description ...
6. oldal
... beginning to look that way , and yet if that is indeed the case , we need to make ourselves aware of what these different principles and processes are all about . Let's look at a very specific example that will show the radical ...
... beginning to look that way , and yet if that is indeed the case , we need to make ourselves aware of what these different principles and processes are all about . Let's look at a very specific example that will show the radical ...
77. oldal
... beginning of the play , as Thornton Wilder did mockingly in The Skin Of Our Teeth , an audience will resent it as superfluous information . Because at the beginning of a play , an audience wants to get into the major actions as quickly ...
... beginning of the play , as Thornton Wilder did mockingly in The Skin Of Our Teeth , an audience will resent it as superfluous information . Because at the beginning of a play , an audience wants to get into the major actions as quickly ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
13 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote