The Art of the Playwright: Creating the Magic of TheatreParagon House Publishers, 1987 - 198 oldal |
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1 - 3 találat összesen 62 találatból.
xxiv. oldal
... audiences are like . Here are some examples : 1. In Athens , an audience would spend a full day at the theatre , arrive at sun - up , see three full - length major plays with one or two satyr plays in between , and then the audience ...
... audiences are like . Here are some examples : 1. In Athens , an audience would spend a full day at the theatre , arrive at sun - up , see three full - length major plays with one or two satyr plays in between , and then the audience ...
xxv. oldal
... audience booed and hooted this insult to the neoclassic French theatre . But there were others in the audience who were delighted to hear a modern poetry that was finally freed from the strictures of Racine and Corneille , and men such ...
... audience booed and hooted this insult to the neoclassic French theatre . But there were others in the audience who were delighted to hear a modern poetry that was finally freed from the strictures of Racine and Corneille , and men such ...
xxiv. oldal
... audiences are like. Here are some examples: 1 . In Athens, an audience would spend a full day at the theatre, arrive at sun-up, see three full-length major plays with one or two satyr plays in between, and then the audience would break ...
... audiences are like. Here are some examples: 1 . In Athens, an audience would spend a full day at the theatre, arrive at sun-up, see three full-length major plays with one or two satyr plays in between, and then the audience would break ...
Tartalomjegyzék
Dramatic Versus Narrative | 1 |
The Stage is a Visual Area | 21 |
Drama is Action | 31 |
Copyright | |
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actions and visuals actors ADVICE FOR PLAYWRIGHTS American playwrights Aristotle Arthur Miller audience basic beginning brief scene CHAPTER character action character's Chekhov Christopher Durang comes costume create David Rabe dialogue director dramatic action dramatic motifs dramatic principles dramatic writing Edward Albee Electra embody ESTRAGON Eugene Ionesco Eugene O'Neill example exposition feel film Glass Menagerie Hamlet happens Ibsen Ionesco John keep lines living look Macbeth major action major character MICAH modern theatre Molière narrative writing obstacles offstage opening Orestes performance playscript playwright PLAYWRIGHTS Train playwriting plot Poetics principles of dramatic produced Roman theatre Sam Shepard Scarlet Letter Shaw someone Sophocles speech stage directions stakes Stanislavsky story Strindberg SUGGESTED READING taking place talk tell Tennessee Williams theatrical thing Thornton Wilder tragedy tragic vivid onstage visuals VLADIMIR waiting for Godot wants William Shakespeare word Write a brief write plays wrote