through the green corn-lands: the most picturesque of things amphibious. Or the horse plods along at a foot-pace as if there were no such thing as business in the world; and the man dreaming at the tiller sees the same spire on 5 the horizon all day long. It is a mystery how things ever get to their destination at this rate; and to see the barges waiting their turn at a lock, affords a fine lesson of how easily the world may be taken. There should be many contented spirits on board, for such a life is both to travel and 10 to stay at home.

The chimney smokes for dinner as you go along; the banks of the canal slowly unroll their scenery to contemplative eyes; the barge floats by great forests and through great cities with their public buildings and their lamps at 15 night; and for the bargee, in his floating home, “travelling abed," it is merely as if he were listening to another man's story or turning the leaves of a picture book in which he had no concern. He may take his afternoon walk in some foreign country on the banks of the canal, and then come 20 home to dinner at his own fireside.

The white man, leaning with both arms over the roof of the little house in the stern of the boat, said to the steersman: "We will pass the night in Arsat's clearing. It is late."

The Malay only grunted, and went on looking fixedly at the river. The white man rested his chin on his crossed 5 arms and gazed at the wake of the boat. At the end of the straight avenue of forests cut by the intense glitter of the river, the sun appeared unclouded and dazzling, poised low over the water that shone smoothly like a band of metal. The forests, sombre and dull, stood motionless and silent 10 on each side of the broad stream. At the foot of the big, towering trees, trunkless nipa palms rose from the mud of the bank, in bunches of leaves enormous and heavy, that hung unstirring over the brown swirl of eddies. In the stillness of the air every tree, every leaf, every bough, every 15 tendril of creeper, and every petal of minute blossoms seemed to have been bewitched into an immobility perfect and final. Nothing moved on the river but the eight paddles that rose flashing regularly, dipped together with a single splash; while the steersman swept right and left with a periodic 20 and sudden flourish of his blade describing a glinting semicircle above his head. The churned-up water frothed alongside with a confused murmur. And the white man's canoe,

1 From "The Lagoon," in Tales of Unrest, pp. 319-323. Charles Scribner's Sons, New York, 1898.

advancing up stream in the short-lived disturbance of its own making, seemed to enter the portals of a land from which the very memory of motion had for ever departed.

The white man, turning his back upon the setting sun, 5 looked along the empty and broad expanse of the sea-reach. For the last three miles of its course the wandering, hesitating river, as if enticed irresistibly by the freedom of an open horizon, flows straight into the sea, flows straight to the east to the east that harbours both light and dark10 ness. Astern of the boat the repeated call of some bird, a cry discordant and feeble, skipped along over the smooth water and lost itself, before it could reach the other shore, in the breathless silence of the world.

The steersman dug his paddle into the stream, and held 15 hard with stiffened arms, his body thrown forward. The water gurgled aloud; and suddenly the long straight reach seemed to pivot on its center, the forests swung in a semicircle, and the slanting beams of sunset touched the broadside of the canoe with a fiery glow, throwing the slender 20 and distorted shadows of its crew upon the streaked glitter

of the river. The white man turned to look ahead. The course of the boat had been altered at right-angles to the stream, and the carved dragon-head of its prow was pointing now at a gap in the fringing bushes of the bank. It glided 25 through, brushing the overhanging twigs, and disappeared from the river like some slim and amphibious creature leaving the water for its lair in the forests.

The narrow creek was like a ditch: tortuous, fabulously deep; filled with gloom under the thin strip of pure and 30 shining blue of the heaven. Immense trees soared up, invisible behind the festooned draperies of creepers. Here and there, near the glistening blackness of the water, a

twisted root of some tall tree showed amongst the tracery of small ferns, black and dull, writhing and motionless, like an arrested snake. The short words of the paddlers reverberated loudly between the thick and sombre walls of vegetation. Darkness oozed out from between the trees, 5 through the tangled maze of the creepers, from behind the great fantastic and unstirring leaves; the darkness, mysterious and invincible; the darkness scented and poisonous of impenetrable forests.

The men poled in the shoaling water. The creek broad- 10 ened, opening out into a wide sweep of a stagnant lagoon. The forests receded from the marshy bank, leaving a level strip of bright green, reedy grass to frame the reflected blueness of the sky. A fleecy pink cloud drifted high above, trailing the delicate colouring of its image under 15 the floating leaves and the silvery blossoms of the lotus. A little house, perched on high piles, appeared black in the distance. Near it, two tall nibong palms, that seemed to have come out of the forests in the background, leaned slightly over the ragged roof, with a suggestion of sad 20 tenderness and care in the droop of their leafy and soaring heads.

The steersman, pointing with his paddle, said: "Arsat is there. I see his canoe fast between the piles."

SUNDAY IN CENTRAL PARK1

BRANDER MATTHEWS

It was the last Sunday in September, and the blue sky arched above the Park, clear, cloudless, unfathomable. The afternoon sun was hot, and high overhead. Now and then a wandering breeze came without warning and lingered 5 only for a moment, fluttering the broad leaves of the aquatic plants in the fountain below the Terrace. At the Casino, on the hill above the Mall, men and women were eating and drinking, some of them inside the dingy and sprawling building, and some of them outdoors at little tables set 10 in curving lines under the gayly colored awnings, which covered the broad walk bending away from the door of the restaurant. From the bandstand in the thick of the throng below came the brassy staccato of a cornet, rendering "The Last Rose of Summer." Even the Ramble was full of 15 people; and the young couples, seeking sequestered nooks under the russet trees, were often forced to share their benches with strangers. Beneath the reddening maples lonely men lounged on the grass by themselves, or sat solitary and silent in the midst of chattering family groups.

20

The crowd was cosmopolitan and unhurried. For the most part it was good-natured and well-to-do. There was not a beggar to be seen; there was no appealing poverty. Fathers of families there were in abundance, well-fed and

1 From "A Vista in Central Park," in Vignettes of Manhattan, pp. 123-126. Harper & Brothers, New York, 1894.