Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space

Első borító
Cambridge University Press, 1995. márc. 30. - 290 oldal
This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarmé, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of representation, and is currently at the forefront of critical enquiry. This is the first book to examine Symbolism and abstraction in this way, and the first to treat these poets and painters together. It is an original contribution to interdisciplinary scholarship in art history, literary history, and comparative aesthetics.
 

Mit mondanak mások - Írjon ismertetőt

Nem találtunk ismertetőket a szokott helyeken.

Tartalomjegyzék

Imagination and imaginary space
8
Rimbauds poetics of rhythm
41
Mallarme and the
81
Kandinskys
116
form and transformation
153
sites of imaginary space
195
Conclusion
225
Select bibliography
271
Index
285
Copyright

Más kiadások - Összes megtekintése

Gyakori szavak és kifejezések

Bibliográfiai információk