The Works of Samuel Johnson, LL.D.L. Hansard, 1806 |
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63. oldal
... agreement to forbear it ? and how shall it be continued , when it conveys an offensive idea , or recalled again into the mouths of mankind , when it has once become unfamiliar by disuse , and G 2 ENGLISH DICTIONARY . 63.
... agreement to forbear it ? and how shall it be continued , when it conveys an offensive idea , or recalled again into the mouths of mankind , when it has once become unfamiliar by disuse , and G 2 ENGLISH DICTIONARY . 63.
69. oldal
... continued in manuscript : no other transcribers were likely to be so little qualified for their task as those who copied for the stage , at a time when the lower ranks of the people were universally illiterate : no other edi- tions were ...
... continued in manuscript : no other transcribers were likely to be so little qualified for their task as those who copied for the stage , at a time when the lower ranks of the people were universally illiterate : no other edi- tions were ...
77. oldal
... continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , be- ing forced by disappointment upon consolatory expedients , are willing to hope from posterity what the ...
... continued by those , who , being able to add nothing to truth , hope for eminence from the heresies of paradox ; or those , who , be- ing forced by disappointment upon consolatory expedients , are willing to hope from posterity what the ...
81. oldal
... continued in mo- tion . In the writings of other poets , a character is too often an individual : in those of Shake- speare , it is commonly a species . It is from this wide extension of design that so much instruction is derived . It ...
... continued in mo- tion . In the writings of other poets , a character is too often an individual : in those of Shake- speare , it is commonly a species . It is from this wide extension of design that so much instruction is derived . It ...
87. oldal
... continued through many plays ; as it had no plan , it had no limits . Through all these denominations of the drama , Shakespeare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is ...
... continued through many plays ; as it had no plan , it had no limits . Through all these denominations of the drama , Shakespeare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is ...
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ancient appear beauty Bemoin censure characters coast common considered copies Coriolanus corrupt criticism curiosity dictionary dili diligence Don Henry drama easily easy editions editor elegance Eloisa to Abelard endeavoured English English language enquiry Epictetus EPITAPHS exhibit expected Falstaff favour formed France French genius happy Harleian library Henry Henry VI honour hope imagined imitation justly kind king king of Portugal knowledge known labour language learning less liaries likewise mankind means ment mind nation nature necessary neglected neral never obscure observation omitted opinion orthography passages passions performance perhaps perly play pleasing pleasure poet Pope Portuguese praise preserved Prester John prince produced publick reader reason regard remark Roman scenes seems sense sentiments Shakespeare shew shewn signification sometimes Spain speech suffered sufficient suppose Theocritus things thought tion trade tragedy truth words writers
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85. oldal - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine, and the mourner burying his friend...
84. oldal - He was inclined to show an usurper and a murderer not only odious but despicable; he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
99. oldal - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
90. oldal - The polite are always catching modish innovations, and the learned depart from established forms of speech in hope of finding or making better; those who wish for distinction forsake the vulgar when the vulgar is right. But there is a conversation above grossness and below refinement, where propriety resides and where this poet seems to have gathered his comic dialogue.
94. oldal - Not that always where the language is intricate the thought is subtle, or the image always great where the line is bulky; the equality of words to things is very often neglected, and trivial sentiments and vulgar ideas disappoint the attention, to which they are recommended by sonorous epithets and swelling figures.
151. oldal - Falstaff is a character loaded with faults, and with those faults which naturally produce contempt. He is a thief, and a glutton, a coward, and a boaster, always ready to cheat the weak, and prey upon the poor ; to terrify the timorous and insult the defenceless. At once obsequious and malignant, he satirises in their absence those whom he lives by flattering.
102. oldal - ... the enquiry, how far man. may extend his designs, or how high he may rate his native force, is of far greater dignity than in what rank we shall place any particular performance, curiosity is always busy to discover the instruments, as well as to survey the workmanship, to know how much is to be ascribed to original powers, and how much to casual and adventitious help.
93. oldal - In tragedy his performance seems constantly to be worse, as his labour is more. The effusions of passion which exigence forces out are for the most part striking and energetic; but whenever he solicits his invention, or strains his faculties, the offspring of his throes is tumour, meanness, tediousness, and obscurity.
169. oldal - The fiery openness of Othello, magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge ; the cool malignity of lago, silent in his resentment, subtle in his designs, and studious at once of his interest and his vengeance...
82. oldal - To bring a lover, a lady, and a rival into the fable ; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture, and part in agony ; to fill their mouths with hyperbolical joy and outrageous sorrow ; to distress them as nothing human ever was distressed; to deliver them as nothing human ever was delivered; is the business of a modern dramatist. For this, probability...