John Milton's Epic Invocations: Converting the MusePeter Lang, 2000 - 159 oldal A crisis over the function and identity of the Muse occurred in seventeenth-century religious poetry: How could Christian writers use a pagan device? Using rhetorical analysis, Phillips examines epic invocations in order to show how this crisis was eventually reconciled in the works of John Milton. While predecessors such as Abraham Cowley and Guillaume du Bartas either rejected the pagan Muses outright or attempted to Christianize them, Milton invoked the inspirational power of the Muses throughout his poetic career. In Paradise Lost, Milton confronts the tension between his Muse's «name» and «meaning». While never fully rejecting the Muse's pagan past, Milton's four proems (PL I, III, VII, and IX) increasingly emphasize the muse's Christian «meaning» over her pagan «name». Ultimately, Milton's syncretic blending of pagan and Christian conventions restores vitality and resonance to the literary trope of the muse. |
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47. oldal
... voice becomes the voice of God , and the Muse's or Holy Spirit's inspired gift of song the poet's inspired gift to God . Milton's Poetic Nativity : On the Morning of Christ's Nativity While the paraphrases and translations reveal ...
... voice becomes the voice of God , and the Muse's or Holy Spirit's inspired gift of song the poet's inspired gift to God . Milton's Poetic Nativity : On the Morning of Christ's Nativity While the paraphrases and translations reveal ...
48. oldal
... voice and a Christian voice at that capable of epic utterance . The placement of the Nativity Ode as the first selection in the 1645 and 1673 editions of his poetry certainly indicates Milton's high estimation of the poem . Milton's ...
... voice and a Christian voice at that capable of epic utterance . The placement of the Nativity Ode as the first selection in the 1645 and 1673 editions of his poetry certainly indicates Milton's high estimation of the poem . Milton's ...
81. oldal
... voice : Arethuse , after the voice of Apollo ; Alpheus , after the voice of St. Peter . " 28 These observations help to illustrate the role invocations to the Muse play in Lycidas , especially in terms of moving from divine utterance to ...
... voice : Arethuse , after the voice of Apollo ; Alpheus , after the voice of St. Peter . " 28 These observations help to illustrate the role invocations to the Muse play in Lycidas , especially in terms of moving from divine utterance to ...
Gyakori szavak és kifejezések
Abraham According argues assert associated attempts becomes beginning Book Britain Brutus calls Cambridge career Christ Christian Civil classical Comus concern continues conventions Cowley Cowley's Crashaw Damonis dark Davideis death desire discussion divine early elegy England English epic established expression faith final follows gift gives God's goddess grief hand heaven heavenly heroic Holy Homer human hymn inspiration interesting invocation invokes King learning light lines literary London loss Lycidas meaning Melancholy Milton Mirth Muse narrative Nativity nature notes offer opening origins pagan Paradise Lost pastoral perhaps poem poet poet's poetic poetry praise prayer present proem questions reading rejection relationship religious remains Renaissance reveals rhetorical seems sense serve sing song Spirit suggests thee theme things thou tradition Translation true truth University Press Urania values vates Vergil verse Virtue vocation voice write