John Milton's Epic Invocations: Converting the MusePeter Lang, 2000 - 159 oldal A crisis over the function and identity of the Muse occurred in seventeenth-century religious poetry: How could Christian writers use a pagan device? Using rhetorical analysis, Phillips examines epic invocations in order to show how this crisis was eventually reconciled in the works of John Milton. While predecessors such as Abraham Cowley and Guillaume du Bartas either rejected the pagan Muses outright or attempted to Christianize them, Milton invoked the inspirational power of the Muses throughout his poetic career. In Paradise Lost, Milton confronts the tension between his Muse's «name» and «meaning». While never fully rejecting the Muse's pagan past, Milton's four proems (PL I, III, VII, and IX) increasingly emphasize the muse's Christian «meaning» over her pagan «name». Ultimately, Milton's syncretic blending of pagan and Christian conventions restores vitality and resonance to the literary trope of the muse. |
Részletek a könyvből
1 - 3 találat összesen 34 találatból.
7. oldal
... opening , beginning as it does in the middle of the Trojan War and presenting a narrative unity - Achilles ' wrath - that presumably did not exist prior to the poem ( 204 ) . These competing opening formulae become most interesting ...
... opening , beginning as it does in the middle of the Trojan War and presenting a narrative unity - Achilles ' wrath - that presumably did not exist prior to the poem ( 204 ) . These competing opening formulae become most interesting ...
39. oldal
... opening of his epic ; instead , he builds up to a panegyric to Nero , which can easily be taken as praise as well as condemnation of the Emperor . Yet in spite of Lucan's dislike of Julius Caesar and the Caesarean values represented in ...
... opening of his epic ; instead , he builds up to a panegyric to Nero , which can easily be taken as praise as well as condemnation of the Emperor . Yet in spite of Lucan's dislike of Julius Caesar and the Caesarean values represented in ...
56. oldal
... opening presents only the negative attributes of melancholy . Milton's depiction of Melancholy in the opening of L'Allegro is grotesque : Melancholy is a product of the classical underworld , removed from light and knowledge by virtue ...
... opening presents only the negative attributes of melancholy . Milton's depiction of Melancholy in the opening of L'Allegro is grotesque : Melancholy is a product of the classical underworld , removed from light and knowledge by virtue ...
Gyakori szavak és kifejezések
Abraham According argues assert associated attempts becomes beginning Book Britain Brutus calls Cambridge career Christ Christian Civil classical Comus concern continues conventions Cowley Cowley's Crashaw Damonis dark Davideis death desire discussion divine early elegy England English epic established expression faith final follows gift gives God's goddess grief hand heaven heavenly heroic Holy Homer human hymn inspiration interesting invocation invokes King learning light lines literary London loss Lycidas meaning Melancholy Milton Mirth Muse narrative Nativity nature notes offer opening origins pagan Paradise Lost pastoral perhaps poem poet poet's poetic poetry praise prayer present proem questions reading rejection relationship religious remains Renaissance reveals rhetorical seems sense serve sing song Spirit suggests thee theme things thou tradition Translation true truth University Press Urania values vates Vergil verse Virtue vocation voice write