Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 oldal This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
Részletek a könyvből
1 - 3 találat összesen 20 találatból.
24. oldal
... speech- like of English line - lengths ... Long enough to accommodate a good mouth- ful of English words , long enough too to require most of its lines to break their phrasing somewhere , it also resists the tendency to divide in half ...
... speech- like of English line - lengths ... Long enough to accommodate a good mouth- ful of English words , long enough too to require most of its lines to break their phrasing somewhere , it also resists the tendency to divide in half ...
32. oldal
... speech so that the sonnet sounds personal and conversational , rather than senten- tious . Rhythm has an important role here . Thus , we have the triple emphasis produced by the final spondee of line 5 ( “ thine own brìght éyes " ) , so ...
... speech so that the sonnet sounds personal and conversational , rather than senten- tious . Rhythm has an important role here . Thus , we have the triple emphasis produced by the final spondee of line 5 ( “ thine own brìght éyes " ) , so ...
153. oldal
... speech , giving the meaning suggested by POOLER ( 1918 ) , “ injurious oblivion . " This is a form of the condensed adjective ( see commentary to Sonnet 2 ) , equivalent to " the enmity caused by oblivion . " The meter of this sonnet is ...
... speech , giving the meaning suggested by POOLER ( 1918 ) , “ injurious oblivion . " This is a form of the condensed adjective ( see commentary to Sonnet 2 ) , equivalent to " the enmity caused by oblivion . " The meter of this sonnet is ...
Más kiadások - Összes megtekintése
Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Korlátozott előnézet - 2007 |
Gyakori szavak és kifejezések
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM