A General View of the Stage: By Mr. WilkesJ. Coote; and W. Whetstone, Dublin, 1759 - 335 oldal |
Részletek a könyvből
1 - 5 találat összesen 27 találatból.
1. oldal
... last age , in his Effay on Dramatic Poefy , has defined a play to be " a just " and lively image of human nature , represent- " ing its paffions and humours , the changes of " fortune to which it is fubject , for the de- ( 6 light and ...
... last age , in his Effay on Dramatic Poefy , has defined a play to be " a just " and lively image of human nature , represent- " ing its paffions and humours , the changes of " fortune to which it is fubject , for the de- ( 6 light and ...
2. oldal
... last lashes at the vanity of the general world , the elbowed crowd of mortals : here you laugh at the intrigues and follies of the city dame ; the knaveries of trade , or feel the lash given to abfurdity and ridicule : there you weep ...
... last lashes at the vanity of the general world , the elbowed crowd of mortals : here you laugh at the intrigues and follies of the city dame ; the knaveries of trade , or feel the lash given to abfurdity and ridicule : there you weep ...
21. oldal
... last almost as long as the motion of the visual orb , while the precept of the school , the maxim of the pul- pit , makes but a flight stay , and foon vanishes with a crowd of other ideas that but little concern us . Who can behold ...
... last almost as long as the motion of the visual orb , while the precept of the school , the maxim of the pul- pit , makes but a flight stay , and foon vanishes with a crowd of other ideas that but little concern us . Who can behold ...
24. oldal
... last character is indeed fo clouded by the vivacity of Lothario , the spirit of Calista ; the grief of Sciolto , and the ftoic gravity of Ho- ratio , that we have scarcely room to take any notice of him , even when he is on the notice ...
... last character is indeed fo clouded by the vivacity of Lothario , the spirit of Calista ; the grief of Sciolto , and the ftoic gravity of Ho- ratio , that we have scarcely room to take any notice of him , even when he is on the notice ...
103. oldal
... last age , who , on his first entrance on the Stage , laid it down as an invariable rule to study fix hours a day for three years , befides discharging the usual bufinefs of the Theatre . This refolution he has been often heard to fay ...
... last age , who , on his first entrance on the Stage , laid it down as an invariable rule to study fix hours a day for three years , befides discharging the usual bufinefs of the Theatre . This refolution he has been often heard to fay ...
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Aaron Hill action Actor affume againſt almoſt alſo antient applauſe audience beauty becauſe beſt caft cauſe character Cibber Comedy comic countenance diſcover diſplay Drama drefs dreſs eaſe entertainment excellent expreffed faid Fair Penitent fame fatire fays feems feen fenfe fentiment fhall fhews fion firft firſt fome fometimes foon fpeech ftriking fubject fuccefs fuch fufficient fuppofed fupport Garrick genius grace greateſt grief higheſt himſelf humour Iago inftruction itſelf Jane Shore judgment juſt laſt lefs manner Maſks maſter ment merit moft moſt Mufic muft muſt nature obferved Othello paffion Painting perfon performance pington Play Player pleafing pleaſing pleaſure Poet poffeffed prefent preferves propriety racter raiſe reaſon repreſent Rofcius ſay ſcene ſee ſeen ſeveral Shakeſpear ſhall ſhe ſhould ſome ſpeaking ſpirit Stage ſtand ſtill ſtrength ſtudy taſte tenderneſs Theatre thefe themſelves theſe thofe thoſe tion Tragedy underſtanding uſe utmoſt voice whofe whoſe
Népszerű szakaszok
133. oldal - Villain, be sure thou prove my love a whore, — Be sure of it; give me the ocular proof; Or, by the worth of mine eternal soul, Thou hadst been better have been born a dog Than answer my wak'd wrath ! lago.
164. oldal - That I must die, it is my only comfort ; Death is the privilege of human nature, And life without it were not worth our taking: " Thither the poor, the pris'ner, and the mourner, \\* " Fly for relief, and lay their burthens down.
126. oldal - Alack, alack, is it not like that I So early waking, what with loathsome smells And shrieks like mandrakes...
127. oldal - Imparadised in one another's arms, The happier Eden, shall enjoy their fill Of bliss on bliss, while I to hell am thrust...
226. oldal - As for Maister Greene, all that I will speak of him (and that without flattery) is this (if I were worthy to censure) there was not an actor of his nature, in his time, of better ability in performance of what he undertook, more applauded by the audience, of greater grace at the court, or of more general love in the city.
123. oldal - ... .In Sophocles, when the unfortunate Deianira discovers her mistake in having sent a . poisoned vestment to her husband Hercules; her surprise and sorrow are unspeakable, and she answers not her son who acquaints her with the disaster, but goes off the stage without uttering a syllable. A writer unacquainted with nature and the heart, would have put into her mouth twenty florid Iambics, in which she would bitterly have bewailed her misfortunes, and informed the spectators that she was going to...
121. oldal - Away, stand off ! where is she ? let me fly, Save her from death, and snatch her to my heart. Aim. Oh! Alph. Forbear ; my arms alone shall hold her up, Warm her to life, and wake her into gladness.
147. oldal - Kneller recognised in him a superior artist. Sir Godfrey remarks that "he could only copy nature from the originals before him, but that Dogget could vary them at pleasure and yet keep a close likeness.
164. oldal - Thither the Poor, the Pris'ner, and the Mourner, Fly for Relief, and lay their Burthens down. Come then, and take me now to thy cold Arms, Thou meagre Shade ; here let me breathe my last...
234. oldal - I never see him coming down from one corner of the Stage with his old grey hair standing, as it were, erect upon his head, his face filled with horror and attention, his hands expanded, and his whole frame actuated by a dreadful solemnity but I am astounded and share in all his distresses. Nay, as Shakespeare in some different place, with elegance, observes upon another subject, one might interpret from the dumbness of his gesture.