Shakespeare's Othello: The Study and the Stage 1604-1904

1817 LIBRARIES actors appear argument audience Barry's Betterton Booth Brabantio Cassio Charles Fechter Charles Macklin Cibber cited Coleridge Covent Garden criticism of Othello David Garrick decorum Desdemona Dramatic Censor Drury Lane Dryden Edmund Kean eighteenth century Emilia emotional English Essays evidence excision Fechter feeling Folger Prompt Othello Folio Gentleman Gildon handkerchief Hazlitt hero Hughes Iago Iago's Ibid interpretation Irving jealous John John Philip Kemble Johnson judgment Kean's Kemble Kemble's later lines literary criticism London Macready Moor moral motives nature nineteenth nineteenth-century noble notes Othello's jealousy passages passion performance plot poetic justice Pontic Sea probably problem prompt books quarto reading remarks Restoration role romantic Rymer scene seems Shake Shakespeare Quarterly Shakespeare's plays Short View Smock Alley Smock Alley text speare's Spectator speech stage taste textual theatre theatrical Theobald Thomas Thomas Rymer tion tragedy tragic UNIVE University Press villain virtue William Shakespeare Willow Song words wrote York