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" You would not then have seen an upright figure standing equally on both legs, and both hands stretched forward in the same direction, and his drapery^ to all appearance, without the least art of disposition. "
The Literary Works of Sir Joshua Reynolds: First President of the Royal Academy - 125. oldal
szerző: Sir Joshua Reynolds - 1835
Teljes nézet - Információ erről a könyvről

The Idler

Samuel Johnson, John Hawkins - 1787
...Paul! and yet what an- addition to that noblenefs could Raffaelle have given, had the arc pf contraft been known in his time ! but above all, the flowing line, which conftitutes grace and beauty. You would not then have feen an upright figure ftanding equally on both...

The Idler

Samuel Johnson, John Hawkins - 1787
...Paul f and yet what an addition to that noblenefs could Rnffaelle have given, had the art of contraft been known in his time ! but above all, the flowing line, which conftitutes grace and beauty. You would not then have feen an upright figure ftanding equally on both...

The British Essayists;: Idler

Alexander Chalmers - 1808
...nobleness, what dignity there is in that figure of " St. Paul ! and yet what an addition to that noble" ness could Raffaelle have given, had the art of " contrast...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...

The Works of Samuel Johnson, 7. kötet

Samuel Johnson - 1810
...dignity, there is in that figure of St. Paul! and yet what an addition to that nobleness could Rajfaelle have given, had the art of contrast been known in...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...

Works, 7. kötet

Samuel Johnson - 1811
...time! but, above all, the flowing line which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs,...drapery, to all appearance, without the least art or disposition." The following picture is the Charge to Peter. " Here," says he, «' are twelve upright...

The Works of Samuel Johnson, L. L. D.: In Twelve Volumes, 7. kötet

Samuel Johnson - 1811
...dignity, there is in that figure of St. Paul ! and yet what an addition to that nobleness could RafFuelle have given, had the art of contrast been known in...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...

The Works of Samuel Johnson, 7. kötet

Samuel Johnson - 1816
...nobleness, what dignity, there is in that figure of St. Paul! and yet what an addition to that nobleness could Raffaelle have given, had the art of contrast...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...

The works of Samuel Johnson, 5. kötet

Samuel Johnson - 1818
...nobleness, what dignity, there is in that figure of St. Paul ! and yet what an addition to that nobleness could Raffaelle have given, had the art of contrast...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...

The literary works [&c.]. In which is included a memoir by J ..., 1. kötet

sir Joshua Reynolds - 1819
...nobleness, what dignity there is in that figure of St. Paul ! and yet what an addition to that nobleness could Raffaelle have given, had the art of Contrast...all, the flowing line, which constitutes Grace and Reauty. You would not then have seen an upright figure standing equally on both legs, and both hands...

The works of Samuel Johnson, 5. kötet

Samuel Johnson - 1823
...nobleness, what dignity, there is in that figure of St. Paul ! and yet what an addition to that nobleness could RafFaelle have given, had the art of contrast...which constitutes grace and beauty ! You would not have then seen an upright figure standing equally on both legs, and both hands stretched forward in...




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