Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, 63. kötetGale Research Company, 1984 |
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1 - 3 találat összesen 89 találatból.
243. oldal
... appears in Andrew Gurr's demonstration that , around the year 1600 , he began to reconceive his customers as spectators rather than audi- tors . " Some of the epistemological and political implica- tions of this transformation appear ...
... appears in Andrew Gurr's demonstration that , around the year 1600 , he began to reconceive his customers as spectators rather than audi- tors . " Some of the epistemological and political implica- tions of this transformation appear ...
248. oldal
... appear to have no more objectionable motive than the desire for spectacle , the wish " to see Caesar and rejoice in ... appears innocuous , whereas in 3.3 , the fourth plebeian's wordplay is fatal , his misreading of Cinna a literal pun ...
... appear to have no more objectionable motive than the desire for spectacle , the wish " to see Caesar and rejoice in ... appears innocuous , whereas in 3.3 , the fourth plebeian's wordplay is fatal , his misreading of Cinna a literal pun ...
341. oldal
... appears to take its place among his most artificial plays , as a play on the débat - theme of lover versus friendship " ( p . xxv ) , or that it is " not a play where detailed comment on the characters is a worthwhile occupation " ( p ...
... appears to take its place among his most artificial plays , as a play on the débat - theme of lover versus friendship " ( p . xxv ) , or that it is " not a play where detailed comment on the characters is a worthwhile occupation " ( p ...
Tartalomjegyzék
Character Studies | 21 |
Gender Issues | 41 |
Marriage | 84 |
Copyright | |
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist