derlies it, has made all its past, and may foreshow its future history. It never was in the power of any man, or any community, to call the arts into being. They come to serve his actual wants, never to please his fancy. These arts have their origin always in some enthusiasm, as love, patriotism, or religion. Who carved marble? The believing man, who wished to symbolize their gods to the waiting Greeks. The Gothic cathedrals were built when the builder and the priest and the people were overpowered by their faith. Love and fear laid every stone. The Madonnas of Raphael and Titian were made to be worshipped. Tragedy was instituted for the like purpose, and the miracles of music: all sprang out of some genuine enthusiasm, and never out of dilettanteism and holidays. Now they languish, because their purpose is merely exhibition. Who cares, who knows what works of art our government have ordered to be made for the Capitol ? They are a mere flourish to please the eye of persons who have associations with books and galleries. But in Greece, the Demos of Athens divided into political factions upon the merits of Phidias. In this country, at this time, other interests than religion and patriotism are predominant, and the arts, the daughters of enthusiasm, do not flourish. The genuine offspring of our ruling passions we behold. Popular institutions, the school, the read ing-room, the telegraph, the post-office, the exchange, the insurance-company, and the immense harvest of economical inventions, are the fruit of the equality and the boundless liberty of lucrative callings. These are superficial wants; and their fruits are these superficial institutions. But as far as they accelerate the end of political freedom and national education, they are preparing the soil of man for fairer flowers and fruits in another age. For beauty, truth, and goodness are not obsolete; they spring eternal in the breast of man; they are as indigenous in Massachusetts as in Tuscany or the Isles of Greece. And that Eternal Spirit, whose triple face they are, moulds from them forever, for his mortal child, images to remind him of the Infinite and Fair. |