Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 oldal Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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113. oldal
... ITALY To later generations , the epoch called the " Renaissance " brings the stirring image of psychological rejuvenation . Too long submissive , having been restricted by theological edicts and dogmas , people's minds regained freedom ...
... ITALY To later generations , the epoch called the " Renaissance " brings the stirring image of psychological rejuvenation . Too long submissive , having been restricted by theological edicts and dogmas , people's minds regained freedom ...
203. oldal
... Italy and academic realms , and even there appreciated by only a narrow circle . Unique among the playwrights of the Italian Renaissance is Leone de ' Sommi ( c . 1526–92 ) , about whom there is not much biographical detail nor means to ...
... Italy and academic realms , and even there appreciated by only a narrow circle . Unique among the playwrights of the Italian Renaissance is Leone de ' Sommi ( c . 1526–92 ) , about whom there is not much biographical detail nor means to ...
347. oldal
... Italy , a claim that will surprise most students of dance it was long assumed that its inception was much later . Further , according to Reyna , it was not invented by courtiers and other members of the aristocracy , as heretofore ...
... Italy , a claim that will surprise most students of dance it was long assumed that its inception was much later . Further , according to Reyna , it was not invented by courtiers and other members of the aristocracy , as heretofore ...
Tartalomjegyzék
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
Copyright | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young