Discourses

Academy acquired admiration ancients Annibale Caracci antiquity appear artist attain attention beau ideal called Caracci Carlo Maratti character chiaroscuro Claude Lorrain colouring composition confined consider contemplation copying correct Correggio defects deformity difficult dignity discourse distinguished drapery drawing effect elegance endeavour expression fashion favour favourite Flemish genius give grace grandeur greatest Guercino habits of nature higher excellences human figure idea of beauty imagination imitation invention kind labour Livy Lodovico Caracci Louis the Fourteenth manner masters means mechanical method Michael Angelo mind minute modern never object observation opinion ornamental painter particular passions Paul Veronese peculiar perhaps Phidias Philopoemen picture portrait portrait-painter possessed Poussin practice praise precepts principles produced profession Raffaelle rank recommend reputation Reynolds Rubens rules Salvator Rosa schools seems servilely sidered simplicity species spectator style in painting sublime suppose taste Tintoret tion Titian true variety Venetian Venetian school vulgar wish young students