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To John Hartopp, Esq. now Sir John Hartopp, Bart.

The difdain, 1700.

1.

HARTOPP! I love the foul that dares

'Tread the temptations of his years Beneath his youthful feet:

Fleetwood, and all thy heav'nly line,

Look thro' the stars and smile divine

Upon an heir fo great.

Young Hartopp knows this noble theme,
That the wild fcenes of bufy life,

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The noise, th' amufements, and the frife,
Are but the vifions of the night,

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Gay phantoms of delufive light,

Or a vexatious dream.

II.

Flesh is the vileft and the least

Ingredient of our frame :

We're born to live above the beaft

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Or quit the manly name.

Pleasures of fenfe we leave for boys;
Be fhining duft the mifer's food;
Let Fancy feed on famé and noise,
Souls must pursue diviner joys,

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To Mitio, my friend.
An epiftle.

FORGIVE me, Mitio, that there fhould be any mortifying lines in the following poems inscribed to you fo foon after your entrance into that ftate which was defigned for the completest happiness on earth; but you will quickly discover that the Muse in the firft poem only represents the shades and dark colours that melancholy throws upon love and the focial life; in the second perhaps the indulges her own bright ideas a little; yet if the accounts are but well balanced at laft, and things fet in a due light, I hope there is no ground for cenfure. Here you will find an attempt made to talk of one of the most important concerns of human nature in verse, and that with a folemnity becoming the argument. I have banished grimace and ridicule, that persons of the most serious character may read without offence. What was written feveral years ago to yourself is now permitted to entertain the world; but you may affume it to yourself as a private entertainment still while you lie concealed behind a feigned name.

LIFE's a

PART 1.

The mourning-piece.

s a long tragedy; this globe the stage, Well fix'd and well adorn'd with strong machines,

Gay fields, and skies, and feas; the actors many,
The plot immense; a flight of demons fit

On ev'ry sailing cloud with fatal purpose,

And shoot across the scenes ten thousand arrows
Perpetual and unseen, headed with pain,
With forrow, infamy, disease, and death:
The pointed plagues fly filent thro' the air

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Nor twangs the bow, yet fure and deep the wound. ro Dianthe acts her little part, alone,

Nor wishes an affociate: lo! fhe glides

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Single thro' all the ftorm and more fecure; Lefs are her dangers, and her breaft receives The feweft darts. "But O my lov'd Marilla, "My fifter, once my friend, (Dianthe cries) "How much art thou expos'd! thy growing foul "Doubled in wedlock, multiply'd in children, "Stands but the broader mark for all the mifchiefs "That rove promifcuous o'er the mortal stage. "Children! thofe dear young limbs, thofe tend'reft "Of your own flesh, thofe little other felves, [pieces "How they dilate the heart to wide dimenflons, "And foften ev'ry fibre to improve

"The mother's fad capacity of pain!

"I mourn Fidelio too, tho' Heav'n has chofe

"A fav'rite mate for him, of all her fex

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"The pride and flow'r: how blefs'd the lovely pair "Beyond expression, if well-mingled loves

"And woes well-mingled could improve our blifs! 30

"Amidst the rugged cares of life behold

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"The father and the husband, flatt'ring names, "That spread his title and enlarge his share "Of common wretchednefs. He fondly hopes “To multiply his joys, but ev'ry hour "Renews the disappointment and the smart. "There not a wound afflicts the meanest joint "Of his fair partner or her infant-train "(Sweet babes!) but pierces to his inmost foul. "Strange is thy pow'r O Love! What num'rous veins, "And art'ries, and arms, and hands, and eyes, "Are link'd and faften'd to a lover's heart

By ftrong but secret strings! With vain attempt "We put the Stoick on, in vain we try

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"To break the ties of Nature and of blood;

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"Thofe hidden threads maintain the dear commu

"Inviolably firm; their thrilling motions

[nion

"Reciprocal give endless sympathy

"In all the bitters and the fweets of life.
"Thrice happy man if pleasure only knew
"Thefe avenues of love to reach our fouls,
"And pain had never found 'em!"

Thus fang the tuneful maid, fearful to try
The bold experiment. Oft' Daphnis came
And oft' Narcissus, rivals of her heart,
Luring her eyes with trifles dipt in gold
And the gay filken bondage. Firm she stood,
And bold repuls'd the bright temptation still,

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Nor put the chains on, dang'rous to try

And hard to be diffolv'd; yet rising tears

Sat on her eyelids, while her numbers flow'd
Harmonious forrow, and the pitying drops
Stole down her cheeks to mourn the hapless state
Of mortal love; love, thou best blessing fent
To foften life and make our iron cares

Eafy; but thy own cares of fofter kind

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Give sharper wounds; they lodge too near the heart,
Beat like the pulse perpetual, and create

A ftrange uneasy sense, a tempting pain.
Say, my companion Mitio, speak fincere

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(For thou art learned now) what anxious thoughts, What kind perplexities, tumultuous rise

If but the abfence of a day divide

Thee from thy fair beloved! Vainly fmiles

The cheerful fun, and night with radiant eyes
Twinkles in vain; the region of thy soul
Is darkness till thy better star appear.

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Tell me what toil, what torment, to fuftain
The rolling burden of the tedious hours?

The tedious hours are ages; fancy roves

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Reflefs in fond inquiry, nor believes

Chariffa fafe; Chariffa, in whose life

Thy life confifts and in her comfort thine.
Fear and furmife put on a thousand forms
Of dire disquietude, and round thine ears
Whisper ten thousand dangers, endless woes,

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