Enjoyment of Poetry: With Anthology for Enjoyment of Poetry, 1-2. kötetScribner, 1951 - 329 oldal |
Részletek a könyvből
1 - 3 találat összesen 100 találatból.
viii. oldal
... practical instrument that we communicate . Grammar and syntax are practical , punc- tuation is practical . These are instruments , not of realization , but of social discourse . They do not help , as poetic words do , to crystallize our ...
... practical instrument that we communicate . Grammar and syntax are practical , punc- tuation is practical . These are instruments , not of realization , but of social discourse . They do not help , as poetic words do , to crystallize our ...
12. oldal
... practical capable of intense experience , for we are all , except those lost in apathy , in some degree both poetic and practical . But the ex- ample of the hero proves that it is possible for a man , who can think clearly and command ...
... practical capable of intense experience , for we are all , except those lost in apathy , in some degree both poetic and practical . But the ex- ample of the hero proves that it is possible for a man , who can think clearly and command ...
23. oldal
... practical usurps the empire of the poetic , or the poetic denies an ultimate sanction to the practical , do they become rivals - rivals for a supremacy that no real names can have . For there is a large democracy in nature . The world ...
... practical usurps the empire of the poetic , or the poetic denies an ultimate sanction to the practical , do they become rivals - rivals for a supremacy that no real names can have . For there is a large democracy in nature . The world ...
Tartalomjegyzék
Poetic People | 3 |
The Technique of Poetic Names | 31 |
Imaginative Realization | 39 |
Copyright | |
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Más kiadások - Összes megtekintése
Enjoyment of Poetry: With, Anthology for Enjoyment of Poetry Max Eastman Nincs elérhető előnézet - 1951 |
Gyakori szavak és kifejezések
a-la-la action æsthetic ANDREW MARVELL beauty bird blood breath cloud cold consciousness cried dance dark dead dear death deep doth dream E. E. CUMMINGS earth emotion Excalibur experience eyes face fear feel feet flowers GEORGE MEREDITH grass Hamish hand happy hath head hear heard heart heaven hills I. A. Richards JOHN KEATS King King Arthur language laughing leaves light lips live look Lycidas MAX EASTMAN meaning metaphor mind moon morning nature never night o'er pale passion PERCY BYSSHE SHELLEY poem poet poetic poetry practical pure realization rhythm rose round sense shadow sing Sir Bedivere sleep song soul sound spirit spring star stream sweet T. S. Eliot tell thee things thou thought thro tion trees truth voice WALT WHITMAN whisper wild WILLIAM SHAKESPEARE wind wings words