Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 oldal The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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. oldal
From Guild Plays to Shakespeare Janet Hill. Stages and Playgoers : From Guild Plays to Shakespeare Stages and Playgoers demonstrates the long , vital tradition of dialogue between stage and audience from medieval , through Tudor , to ...
From Guild Plays to Shakespeare Janet Hill. Stages and Playgoers : From Guild Plays to Shakespeare Stages and Playgoers demonstrates the long , vital tradition of dialogue between stage and audience from medieval , through Tudor , to ...
5. oldal
From Guild Plays to Shakespeare Janet Hill. nology more fully later in the book . ) For the moment , let me just say ... guild , " " civic , " or " mystery " plays . It is with this last genre of medieval drama that I begin my exploration ...
From Guild Plays to Shakespeare Janet Hill. nology more fully later in the book . ) For the moment , let me just say ... guild , " " civic , " or " mystery " plays . It is with this last genre of medieval drama that I begin my exploration ...
6. oldal
From Guild Plays to Shakespeare Janet Hill. 55 ) . While I very much admire Twycross's work and agree with many of ... guild plays open address takes place on a stage where no area is ever neutral , un - temporalized or un - spatialized ...
From Guild Plays to Shakespeare Janet Hill. 55 ) . While I very much admire Twycross's work and agree with many of ... guild plays open address takes place on a stage where no area is ever neutral , un - temporalized or un - spatialized ...
7. oldal
... play if we think of the address as " conversations " with a " real " world . As I trace shifts and continuities in techniques of audience acknowledgement , from the guild plays through Tudor drama , and from Shakespeare's early drama to ...
... play if we think of the address as " conversations " with a " real " world . As I trace shifts and continuities in techniques of audience acknowledgement , from the guild plays through Tudor drama , and from Shakespeare's early drama to ...
8. oldal
... plays ? Finally , why Shakespeare and why not some of his contemporaries ? To begin with the first question : It is well known that guild plays are not the only medieval drama to openly address audiences . Other plays ( such as morality ...
... plays ? Finally , why Shakespeare and why not some of his contemporaries ? To begin with the first question : It is well known that guild plays are not the only medieval drama to openly address audiences . Other plays ( such as morality ...
Tartalomjegyzék
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
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